PARKLET

MICRO

JUN 2020















Plywood, a ubiquitous building material, became a symbol of resistance in Oakland, CA during the momentous summer of 2020. As protests shook the flawed institutional structures of our society, the streets became a canvas where anger, solidarity, and hope was expressed.

Out of fear of property destruction, many businesses used plywood to board up their storefronts as a precaution to the protests that emerged. Simultaneously, these bare canvases were also painted with murals and messages in solidarity with Black Lives. Today, while the veil of ”returning to normal“ has dissipated before our eyes, the fight against systemic racism continues. In the material’s simple application during a revolutionary moment, it offers a reinterpretation of architectural scales: from material to building to the urban.

Thus, a lingering question remained, what happens after the protests and the pandemic subsides? In its inception, Workshop 9 became interested in collecting and recirculating the storefront plywood back to the community. Although parklets are designated as temporary through the Oakland Flex Streets Initiative, its intervention becomes an opportunity to add another layer of complexity between a building material and its urban environment.

While this may be the first parklet on International Street in East Oakland, we hope it won’t be the last.





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In collaboration with Oakland Indie Alliance, Bay Area Redwood, Semar Prom, & La Frontera Restaurant






A MANIFESTO

MAY 2017






EQXD

SEP 2016


For more information on the 2016 Symposium Metrics, Meaning + Matrices by Equity x Design, click here


In collaboration with EQxD and AIA SF











THE CORNER PROBLEM

MICRO

JUN 2014

Instructor: Erin Besler

Visit The Entire Situation by Besler & Sonshere
This project was also featured in UCLA A.UD Currents, Winter 2014
& presentation script published by POOL.



Underlying this work is a conceptual confrontation with material thickness. While seemingly simple in drawing; a line segment cannot bend without consideration of the thickness of that line. By doing so conceptually, this undercuts any habit or default concerning the way we might draw a line and how that line, and its offsets, might be constructed out of a system of 1/2” thick gypsum board, 3-5/8” steel studs, and chunks of foam to suggest that the corner is an architectural problem where multiple forms of knowledge meet.

In collaboration with James Skarenski, Cristina Gasso, Nico Manzinin, Rachael Forest, & Jose Cisneros